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![]() The City of Southampton Orchestra |
The next concert of the City of Southampton Orchestra is a good start. May 16th, Thornden Hall. Click here for details |
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The Lark Ascending. Ralph Vauaghan Williams composed this "*Romance" for violin and orchestra in 1914, just as World War I was beginning. The solo violin mimics the song and flight of a skylark.To many, it represents a "lost age of innocence" and the serene English countryside before the devastation of the Great War.It is based on thpoem by George Meredith. |
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| In Nature's Realm by Antonin Dvorak is a **Concert Overture composed in 1891. It is celebrated as a "landscape painting" in music, reflecting Dvořák’s deep love for the Bohemian countryside. | My programme notes YouTube performance |
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| Anton Bruckner's ***Symphony No. 4 in E-flat major, nicknamed the "Romantic," is his most popular and accessible work. Composed in 1874, it was the first of his symphonies to achieve significant public success during his lifetime. | My programme notes YouTube performance |
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*A romance in music is a short, lyrical, and typically sentimental piece that generally implies a particularly personal or tender quality. They are built around simple, song-like melodies that are easy to remember. Unlike a sonata or symphony, a romance doesn't have a rigid structure; its form is dictated by emotional expression.
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**A concert overture is a self-contained, short one-movement orchestral piece intended for performance in a concert hall rather than as an introduction to a stage work like an opera or ballet. They often have a descriptive title and are inspired by a literary theme, a landscape, or a specific event. Most follow the Sonata Allegro form, which provides a structured narrative (Exposition, Development, Recapitulation). | ***The term "symphony" primarily refers to a large-scale musical composition for an orchestra. Usually written in four movements (sections), featuring varied tempos and themes. A comoser's symphonies are often the most important and most performed of their compositions.
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